935 Royalty-Free Audio Tracks for "I Know"

An enjoyable, reflective soundscape of kids playing and swinging and laughing in a park in a small, midwestern usa town. This was recorded at 1:30 in the afternoon on a beautiful, mild november day in 2020. Very pleasing to listen to, and probably helps to bring back memories of your own, warm childhood memories. Even though covid-19 is causing a huge problem all over the world, i find it very soothing and comforting knowing, despite the pandemic, kids are still doing what they've been doing since, well, forever, playing and laughing and having the care-free fun time of their life. Recorded with sound device mixpre-6 and audio technica at8010 omni-directional condensor microphone.

This, my dear friend, is ils - infinitely loud silence. Play some other sounds and then play this, and you'll know why i call it this way. It's created by a bug present in lmms, a free program for electronic music production. Actually this sample can't reproduce the ils phenomenon, that creates a dc offset so big, that it outnumbers any other signal getting out of the same audio interface and the result is silence. It's a silence that is masking other sounds. Mind-boggling. Nasty bug. All this sound can do is cause some distortion, probably because 24-bit sound can be only as loud as 0db. 32-bit floating point should be able to get louder, but still i don't think any sample file would be able to reproduce this product of error.

A little track i did using nanoloop for android. Http://nanoloop. De/android/index. Html. It's always nice to hear what projects you use it for. Let me know. ;-). For more stuff you can also check out my pond5-profile:http://www. Pond5. Com/artist/cabled_mess. Or on the unity asset store (including free assets):https://goo. Gl/69epye. Want to support the creation of more cc0 sounds?https://flattr. Com/profile/cabled_mess.

Your stereotypical wind chime sound effect. Used a lot for transitions into dream sequences and flashbacks in movies and films. I took a very fast recording of someone hitting some orchestral chimes, slowed it down by over 200% and added some harmonic excitement and equalization in post production. Tools used:- usb logitech microphone (no lies, seriously used this $10 mic)- fl studio 12 by image line- vitamin by waves- dynamic eq by izotop. If you'd like me to edit or create any additional sounds for your project, please let me know. I'd be happy to help.

Hola !. So after all the dsp processing of the little voice recordingi tried out my little bbc symphonic orchestra new free libraryput some violins on it & some horns of abraxas, if youdon(t know horns of abraxas of johann johannssonn, i urge you to go& check it out, the whole movie is a candy for the ear & eye. . . S with titlesas seekers of the serpent's eye or burning church or dive-bomb blues ordeath and ashes or children of the new dawn or forging the beast. . . What a soundtrack & what a movie ! but also what a tragic loss. . . Https://www. Youtube. Com/watch?v=hgih-ma5nag. & then at the end i transform again the little percussive voice partinto a voice again. . . You can clearly see in the wave form of the big percussion & the little voice wave form, an isomorph pattern, no ?. 17decmber of 2020jjjjjj looper dooper. Yes !. Ok i go to sleep nou !.

Sound effect - bass rumble tension rise (wind river movie). I've looked for this particular bass tension builder sound effect from the movie wind river since it came out!! if you've seen that film and you're familiar with the "standoff" scene, then you'll probably know what sound effect im referring to. . . In the background of that most intense ever scene of all time is this bass rumble or tension builder that gives me goosebumps every time i watch it! i've wanted the original pretty bad because its the best suspense builder(bass rumble) sound ive ever heard! although it doesn't seem to exist online even for purchase. So i tried to recreate it myself! im a movie scene editor all the way, but im less than amature at audio editing, so please excuse the flaws. There are 3 versions in this mp3. All with different tones, speed, and other details trying to recreate as best i could.

Please read full description. Sony ecm-ms907 microphone and a minidisc recorder probably used. Most likely recorded somewhere in brighton, uk;. . Please let me know if you use my sound, and what for. I would interest me and satisfy my curiosity as i'm a curious sort of person. I've designated this as public domain / cc0, however. . . . . . If you feel my sound/s is/are quite significant for a significant project, it would also be nice if you gave credit and a link if it's practical to do so. Www. Freesound. Org/people/muel2002/.

The sound of an electric car being plugged in and recharged. The clip starts with the car's recharging flap being opened from inside the car, then fully opened by hand, then the plastic socket cover being opened, then picking up the charging connector and plugging it into the car. There is some clicking as the electric vehicle's cooling fan turns on for a short while. This was recorded in-person with a tascam dr-40 stereo recorder at a small, suburban farm. Public domain: i have released this audio file into the public domain. It is free for anyone to download, modify, or use without my consent and without attribution - like all freesound audio files should be. Let me know if you found this sound useful. Enjoy!.

The sound of the bottom of a ceramic mug, dragged over the metal grating of a coffee machine. It sounds like a sword drawn from a scabbard. Recorded using a zoom h6 in the kitchen. Applied a filter to remove unwanted low and very high frequencies. Also corrected the volume level to adjust all four recordings to the exact same level. There are some minor distracting noises - i assume from my shirt while moving the mug over the surface. Also a fan is very faintly audible in the background. If you are interested in a very clean recording of this sound, please let me know.

Hi. This soundfile was recorded on 03. 06. 2017 in szczecin, nw poland (gumience district to be precise). The time of this recording is from around 3 a. M. (when the sun was allready rising) till around 7:30 a. M. What's funny about that, is that i turned my recorder on and layed it on the windowsill (display up) on altitude around 5 meters (first floor), (the recorder is facing ne direction) because the birds were allready going crazy!, and after some time i felt asleep, and the recorder was left on. There are many many kinds of birds around, cause there is a big cementery near by, with lots of trees, and some wild fruit orchard too. I had this one moment, when the birds were so active, that let's say they spinned it me around, and worked me up to a beautifull spiritual moment with their sounds, and then i felt asleep. Later through the recording you can hear me snoring, you can hear my alarm clock going on (and that haven't woken me up too;). The bass resonance of cars passing by makes this recording a bit heavy in some places, and the wind made it's mark too, but that shoudn't be a big of an issue here. As i listen to it now, so much things happened while i was asleep. . . [ 3:30 a. M. !: some people are singing and speaking, and you can clearly hear one of them saying: "kurwa, grubo", which means - "f**k, heavy". Later on, the neighbours weren't sloppy too;). Hearing such recordings doesn't give you the liminous feeling of the place where it was recorded. You only get audio here, not the vision, the light, the brightness, the movement, the actions, and the space, the physical elements, only the best can imagine (so if you don't have such an imagination, pm me and i can send you a photo of the place where all this took place). Anyway, i hope that the birds will keep rockin' their solos, and the bees will keep visiting all the flowers around forever! (who knows, i might become one of them sometime;). Thanks and have a good listening session. Szymon.

(recorder: zoomh4npro 2018)(microphones: binaural roland cs-10em in-ear monitors). As these are recorded using binaural in-ear mics, i purposefully attempt not to turn my head to keep the sound clean and coming from the same direction. Of course, if you don't want binaural audio you can always easily convert to mono. This is a recording of me approaching a soda machine in my apartment complex, swiping my credit card in the new, handy-dandy credit card slot, and dispensing a coke zero (in case you really needed to know). Safe for all production as it is voice free. I kept the peaks very low to maintain a natural sound. Enjoy!. Christopher c. Courter.

This is an upload for a sample request (http://www. Freesound. Org/forum/sample-requests/32975/ ) for a person who wanted a haunting melody with some layers in the key of g# / ab. I am not a melody guy, so i don't know if i've got the notes right or if the piece may even fit the description of what the guy wants, but here it is!. Edit (mar 2018): no need to ask if you need to give me credit. Up to you. Just continue your amazing work with sounds & music. ;). Specs: 80bpm, 48000 hz, 24 bit, wav format, (i think it is in the key of g# / ab), original file name - haunting tone in g# abinstruments used (all found in reason 5 soundbank; all virtual): "a" piano, grand piano, pizzicato strings, violin, a random ghost layer synthesized in maelstrom graintable synthesizer, double basseffects used: a little equalization here and there; a little bit of delay on the pizzicato strings; volume automation.

If there is one man, white western historyhas neglected, it must be james baldwin (1924 - 1987)known to many as writer, novellist, essayistplaywright, poet. . . Surely unknown to all asactivist, as frontfighter, as luchador of theanti-xenophobic anti-discrimination discoursin general & more specific of the north-american'negro'. His father was a slave & as a childat the tender age of 10, he was teased and abusedby 2 new york police officers, an instance of the racistharassment by the nypd that he would experience againas a teenager and document in his essays. Why isn't his history & discours teached at school ?. Anno 2020, i learn to know him & his eloquent rhetoricalcapabilities through the also fenomenal moving & breath-takingperformance of tawiah + myrrh for the refraction festival, takingplace online of course, due to the ever infamous covid-19. . . An audiovisual délice, in which visual artist myrrh, places tawiahin subtle superposition with james baldwin & his 1965 debate with mr. Buckley ! in the cambridge union ! !! ! ! ! while performinglive one of the most delicate concerts i have seen during corona. . . A must see+hear _ _ _ https://www. Youtube. Com/watch?v=h5l2lssdzro. Being totally absorbed by this performance, i discover as an artist myselfone of the reasons i bind so much with this piece of music is that i myselflike to use the same harmonies, apparently, which i did indeed in 2015https://soundcloud. Com/torturado/eternal-void-the-fall-back& in the mid nineties, that is 1990's. . . A long forgotten piece of me, performed that time during my ritcs studies, as my band torturado, no recordings from then helas online, but gracias a la discovery of tawiah+myrrh & james baldwin picked up again what i remembered from that time & made a 2020 version of it. . . A small visual document of this: https://vimeo. Com/450004585. As from the moment, i discovered james baldwin, i integrated also his powerful 1965 debate in my performances during covid times. . . To spread his word ! to inspire others, to confront others. . . I told myself covid or corona is not going to stop me playing & performing music, which comes natural to me, so i looked for ways to perform outside, in plain nature, with batteries. . . Guitars, 9v fx, fx without 9v compartment, battery based amplifiers, battery based kassette walkmans. . . & it is on kassette that i put an edited full version of the james baldwin vs buckley debate of 1965. . . For this exercice of the sound design formation, we had to upload a sound that intrigues, well, james baldwin eloquent voice, litteral & metaphorically inspired & triggered me. . . Also the sound of electro-magnetic technology called tape is something i have always been fond of. . . So i made an edit of an edit of the james baldwin debate of +- 10 minutes !. Spread the word !a+. Actually this could also serve the exercice of recording a sound that comes from a certain place, or is part of a bigger thing , or personificates a certain place. . .

This ambience was recorded on zoom h6 with msh-6 mid-side stereo mic capsule. Recording was edited and decoded. Mic was positioned right in a frame of an open window so that it won't get flood from a heavy rain and pick up much room reflections. My flat where i recorded from was on 4th floor. There was a busy street 50m far from the apartment building itself, a bit further there was a park. Rain at that night was heavy. Also you can hear several heavy thunder hits of various distance throughout the whole recording. Hope this recording will help to enhance the sound of your next project. Please, let me know if it did so!.

For best experience, make sure you:. * don't look at the sound waves (the sound display) at all!* are in a pitch black dark, closed room. * immerse yourself. --------------------------------------------------------------. I know that we will one day discover something unusual out there. A "strange jungle" is nothing compared to what we will discover one day. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄. Enjoy!/matrixxx.

Intense rain drops against window pane recorded with a zoom h1 xy-microphone. Perfect as the sound of raindrops falling against the front shield of a car. You are free to use the sound wherever you want. If you want to credit me, that's nice. But you don't have to. I would be even more happy, if you let me know where you used the sound and maybe even post a link to your work down in the comments. Wanna see my works? http://www. Bastian-worrmann. Dehttp://www. Facebook. Com/bastipictureshttp://www. Youtube. Com/bastipictures.

Title Christian Mass, Organ play, Consecration Artist stephan Original mp3 data Length:5:02 minutes (4.61 MB) Format:MP3 Stereo 44kHz 128Kbps (CBR) User tags Christianity, Church, Communion, Consecration, ecumenical, Eucharist, Mass, Music, Organ play, Parish, Religion Type Single Subject, Natural PDSounds record number 290 Comment May 27, 2007 - Church of Christ the King (1927), Leverkusen, Germany. Calm organ play for the parishioners to leave their pews and having the eucharist, holy communion, consecration (i dont't know exactly the correct word for it). When having receiced the host they come back to seat in the pews. Many thanks to minister and organist of this mass for the permission to record.

This is a reading from the second chapter of "nathaniel's nutmeg: or, the true and incredible adventures of the spice trader who changed the course of history", by giles milton. It is also intended for the freesound sound museum to represent books as what is fading rapidly into obsolescence. By the time you read this, you may not even know what a books is. Books are when the written word is compiled onto sheets of paper in a long-form volume. You may not know what paper is. Paper is commonly used to write on or make oregano cranes with, being flat and thin rectangles made from trees. You probably won't remember what a tree was. That is a very sad thing. They are all gone now, destroyed in feckless deference to paper. When the paper runs out, there will be nothing left to write our collective histories on, what we desperately need. When this occurs, it will stand as the moment our past was truly lost, leaving us lost the same, drifting in circles. Until another man or woman rises up to invent trees again, thus beginning the cycle anew. It's a beautiful idea. We should always be moving towards the future, not lost in syrupy memories of old forests not seen for what they really are: petrified wood and amber. Leave that with the other fossils and relics. Let it be the final page written on the last book until it crumbles to dust. Let it go. The file was recorded using a mid/side stereo technique at 24bits, downsampled to 16bits under the loving care of gaussian dither. The room was treated as best i could to be acoustically pleasing and quiet. I think you will find the noise floor to be particularly well balanced and textured, suitable for post-production tasks, or just for relaxing with at home. .

Ok, i don't know how many of you might be interested in this, but i figure there's no harm in posting it. I'm working on some original songs. Laptop-based, electronic songs, with many orchestral parts, including violin, viola, cello, and string bass. Presonus studio one has some very nice vst string instruments, and i have some really great ones for kontakt. But they all are missing one thing, and i couldn't find the (admittedly esoteric) sound that i'm looking for anywhere on the internet. Being a viola player myself, i recorded myself playing these very particular incidental sounds. Let me explain-. There's this 'grabby' sound that a well-rosined bow makes just is it is first being drawn across the string. Listen carefully to any of the pros and you'll hear it. In your laptop sequences, if used subtly, right at the point where the first note of a phrase is initiated, this sound can give the string part a marked sense of realism*. This, combined with vibrato, reverb and a nice warm/tube/tape saturation setting, nobody will be able to tell the difference between your vst and the real thing. About the audio-i tried to keep them as pitchless as possible, thus not limiting their utility. I recorded two sets of all four open strings (c, g, d, a), first close mic'ed, and once from a few feet away, in stereo. Or to say it another way, the sounds are as follows-1. Open c close2. Open g close3. Open d close4. Open a close5. Open c far6. Open g far7. Open d far8. Open a far. It's totally overkill for me to record all the different versions, but i suppose somebody out there might find one more appropriate than another for their purposes. They work pretty effortlessly for violin and viola, but you might have to pitch them down for cello and string bass. I added no processing whatsoever, apart from normalizing each individual sound. Aiff, recorded at 44/16. Nady scm-2090 stereo condenser mic, focusrite saffire pro 24 interface, recorded in logic. Not the quietest room, but these sounds will be so far down in the mix that it won't matter. Free for all to download, no attribution necessary. Http://www. Freesound. Org/people/bruce%20burbank/sounds/220917/. As an example, here's the part i'm working on that motivated me to record these sounds, with the grabby sound in place. See if you can spot the three times i used it. *pro tip- much the same way i'll insert an inhale breath right before horn or oboe phrases.

A list of the 100 most commonly spoken words in the english language, according to wikipedia. Generated in audition using apple's plaintalk "zarvox" voice. Spoken in order of below:. The, be, to, of, and, a, in, that, have, i, it, for, not, on, with, he, as, you, do, at, this, but, his, by, from, they, we, say, her, she, or, an, will, my, one, all, would, there, their, what, so, up, out, if, about, who, get, which, go, me, when, make, can, like, time, no, just, him, know, take, people, into, year, your, good, some, could, them, see, other, than, then, now, look, only, come, its, over, think, also, back, after, use, two, how, our, work, first, well, way, even, new, want, because, any, these, give, day, most, us.

Original file name: wah whistle suspense bees - 30 september 2012specs: demo at 120 bpm, stereo, 48000 hz, 24 bit, wav formatdescription: created the sound using the thor polyphonic synthesizer in propellerheads reason. Sounds weird when played in isolation, but sounds decent when played as an arp or melody. I have included the "c" note spanning 7 octaves in case the samples need to be loaded into a sampler. Sample pattern: demo | c0 | c1 | c2 | c3 | c4 | c5 | c6. Contact (pm) me if you want any changes to this sample (please include freesound sample number 166169). You can use this commercially with proper crediting, but please let me know where and how you use it - seeing this used will really make me happy. :).

Hi. This is a loop of aurora colorado'sold whelen wps-3016 system test. The city had 3016's, and wps-2810's. They did the wail tone for 3 minutes, and the whoop tone for 30 seconds. This is a one sycle loop of the wail tone. You can hear the other sirens in the system in the background, as well as some very excited dogs that where barking during the whole test. I don't know the exact location of this siren. Also, the system has been removed and replaced with new whelens a couple of years ago. They had a yellow wps-3016 in the sistem hope you like it. I'll get a loop of the whoop tone soon. If you download this, or any of my other sounds for that matter, and use it in your production or any other thing, then please give me good credit. Thanks, and good bye.

[[this sound pack contains 8 sounds total, and this is # 4 of 8. ]]. Note: this sound (as all my sounds on freesound. Org are) is **public domain**. Use it, sell it, do anything and everything with it. No need to credit me. I only hope it's useful for someone! however, i'd love to hear about any projects you use my sounds with!!. Abstract, creepy sounds i recorded after watching this video on hans zimmer's creation of the score to the original dark knight soundtrack:. Https://www. Youtube. Com/watch?v=r-l1rctgtoe. (fascinating video, give it a watch! :d). - i found an old rusty razorblade (if it ain't rusty it ain't emo, amiright? amiright? oh god that's in poor taste)- and just started scraping it over the copper-wound strings of my seagull s6 acoustic guitar in which i've installed an electronic pickup. - recorded into reaper on my mid-2014 macbook pro, via direct in through a zoom h4n in audio-interface mode. Only processing: gentle eq highpass at 95 hz. And some slight gain reduction. These sounds remind me somehow of creepy film scores where the strings do that erratic pizzicato thing that sends tingles up your spine. Tell me what you come up with, i'd love to know!!.

This file was recorded on november 19 2013 at london's euston railway station quite close to the arrivals board. It was achieved using an olympus ls-100 digital recorder with cad m179 microphones attached to a jecklin disk (see wikipedia) to obtain the best sound possible. As opposed to quasi-binaural recordings where the user attaches small diaphragm microphones to his/her shirt collar (my usual recording method), the jecklin disk can be mounted on a semi-fixed object such as a floor-standing microphone stand which it was in this case, and left for a few moments for the best possible outcome. Using a jecklin disk means that there are no minute movements from a person trying to stand as still as possible, and for some unknown reason, this setup is able to differentiate in front and behind sound image although i personally do not know why this is the case.

The "concrete cello" pack is a collection of scraping, scratchy and droning improvisations on the cello focussing on the creation of sounds to be used as base materials for future compositions. They were originally recorded in 2019 to be used in as sound design elements for the documentary "hotel regina" by director matthias berger for which i composed the music. Part of the impetus of this sampling session was to create cello sounds that would be remiscent of construction machines. (if you look on the geotag you can see the machines, well, sort of). You can listen to the score here :https://doubleblindrec. Bandcamp. Com/album/regina-hotel. These are the close-micced mono raw studio recordings. Neumann u87 into a wa273 and a rme ufx. Recorded by barbara samla at studio aktis in france. Sounds are cco, use them as you will!(but feel free to let me know in what : it's always nice to find out!).

Save A Little Dram For Me song from United States prohibition era. MEDIUM: 1 sound disc : analog, 80 rpm ; 10 in. CREATED/PUBLISHED Orange, N.J.: Edison. Lyrics: (spoken) In the middle of the sermon, Parson Johnson rose and started sniffing the air. There was a peculiar smell tricklin’ up the parson’s nose. That told him that gin was ‘round somewhere. And he closed his Bible gently in the middle of the psalm and started figurin’ mentally where that smell was coming from. His eyes scanned every pew, and then he did declare, he says “I announce this meetin’ through… (sung) …until you kick in with my share.” Oh Bretheren if you want more preachin’ Save a little dram for me. Glory hallelujah Why drinkin’ gin ain’t against my teachin’. Treat me with equality. (spoken) From this here smell it’s very plain to see That somebody here’s been holding out on me. (sung) For Bretheren if you want more preachin’ Save a little dram for me. (spoken) Now when they passed the bone dry law, I was the very first to say that it never would stay And neither did I think the law could regulate our thirst. That’s why I’ve got some stored away. Now since prohibition’s got us drinks is few and far between. Of all the stingy brothers you’re the worst I’ve ever seen. But I insist on my share. Don’t say it’s all run out Or else you’re going where-- You know that bad place I been preachin’ ‘bout? (sung) For Bretheren if you want more preachin’ Save a little dram for me. Glory hallelujah Why drinkin’ gin ain’t against my teachin’. Treat me with equality. (spoken) I’ve shared your joy and I’ve shared your sin And believe me brothers I’m gwine to share your gin. (sung) For Bretheren if you want more preachin’ Save a little dram for me. Українська: «Збережи для мене трохи драм», пісня з епохи сухого закону США, випущена в 1922 році.

Disaster alarm. A couple of glasses breaking in the middle. Why? i don't know. Ah, some explosions. Well, ok, not a simple alarm, almost a disaster (audio)scene per se. Made from (in order of appearance):https://freesound. Org/people/danlucaz/sounds/517759/ (game fx #2, danlucaz)https://freesound. Org/people/avakas/sounds/144115/ (cup breaks, avakas)https://freesound. Org/people/geraldfiebig/sounds/524999/ (ceramic cup shatters on tile floor, geraldfiebig)https://freesound. Org/people/sieuamthanh/sounds/397787/ (sci fi » alarm 0, sieuamthanh)https://freesound. Org/people/onderwish/sounds/470504/ (the dark future » emergency siren, onderwish)https://freesound. Org/people/robinhood76/sounds/188698/ (swoosh whoosh air effects » 04397 passing swoosh exploding. Wav, robinhood76)https://freesound. Org/people/robinhood76/sounds/565947/ (war 'n' battle sounds - simulations and experiments » 10091 water bomb exploding. Wav, robinhood76)https://freesound. Org/people/eflexmusic/sounds/396270/ (destruction » exploding car (with fire) (mixed), eflexmusic)https://freesound. Org/people/jorickhoofd/sounds/179265/ (glass » exploding lightbulb 1, jorickhoofd). Thank you.

This is a collection of "small room reverb" impulse responses that i sampled in a new england home known as butternut lodge, built and owned by actress bette davis back in 1940. It consists of all wooden rooms with many non-parallel surfaces, rugs and furniture and includes 3 round-shaped "silo" rooms! these rooms sound clean and do not have the irritating "ping" of many rectangular rooms. Short history/pictures of butternut (https://www. Airbnb. Com/rooms/24692769?source_impression_id=p3_1659215694_liuasyfxoceab5fn). Although these round shapes (and some of the other very small rooms) could potentially wreak havoc with phase at specific frequencies when summed to mono, i recorded this using the mid/side mic technique; therefore, the "side" channels fully cancel out, leaving a clean monaural reverb signal. These irs are stored as flac files. They can be used directly by any daw without conversion and have the added feature of being id3 tagged with a photo of the room each ir is taken from. After downloading, select view -> large icons in the folder to view the rooms. I sampled each room using a swept sine wave into a jbl flip 6 bluetooth speaker; recorded through a tascam tm-st1 m/s stereo microphone, feeding a tascam dr-07 recorder @ 24-bits 44. 1 khz and deconvolved using reaper. As of this post, i've been using these rooms for about 2 weeks. So far, i've found the "garage" to sound fantastic on drums! the drum sound! also, many of the other smaller rooms have a great effect on guitars, keys, and hand percussion. Each room varies in tone and brightness, so i've found that selecting/tuning the reverb send works well if approached like an eq. Increase the effect send until the instrument "feels" right (then perhaps back off slightly). A close-miked acoustic guitar, for instance, will take on a nice brightness and 3-d quality; not particularly reverberant, just big. At that point, i recommend applying any eq, compression, and bigger-sounding reverb effects. Hopefully you enjoy this. Please let me know how you like it and if you have any suggestions. Cheers!. Ken.

I made this recording of ambient backgroud noise directly beneath the eiffel tower. The shape of the eiffel tower creates a unique acoustic environment in the vicinity of the tower, especially beneath it. You can hear a much higher level of background noise than you would hear in an open area, and the noise is unusual. The tower is made of thin pieces of iron arranged into a complex and very large lattice, which reflects and slices and dices sound in a unique way. Thus you have a high level of very even and unidentifiable background noise as noises from the ground and the platform get bounced around and distorted by the structure of the tower. This recording was made from the ground, with microphones pointed straight upwards about 2 meters off the ground. Noises from the ground travel upwards and bounce around the inside of the tower, then drift back down. There are noises in the tower itself as well, such as elevator motors and people on the platforms. The first platform, at 57 meters, is open in the center, whereas the second platform, at 116 meters, is completely closed and flat on the bottom. Wind moving through the tower also makes noise, and again the open structure of the tower changes the noise in a way that is specific to the eiffel tower. There wasn't much wind at ground level for this recording, but i don't know what the wind speed was at higher levels in the tower. Some voices in multiple languages are audible in the recording, as the area beneath the tower is awash in tourists. Recorded hand-held with a zoom h4n and a mini windjammer, using built-in mics, in stereo 96 khz / 24 bits, then converted to mp3 at 320 kbps because of the size of the file. Duration is about two minutes.

Broadcast made by the Russian composer Dmitri Shostakovich from the besieged city of Leningrad in 1941. The work he refers to here is Symphony No. 7 in C Major, opus 60, subtitled Leningrad. Transcript: An hour ago, I finished the score of two parts of a large symphonic composition. If I succeed in writing this composition well, if I succeed in completing the third and fourth parts, then it will be possible to call this composition the seventh symphony. Why do I announce this? So that the radio listeners who are listening to me now will know that the life of our city goes on as normal. We are all now doing our military duty. Soviet musicians, my dear friends and numerous brothers-in-arms, my friends! Remember that our art is now in great danger. Let us defend our music, let us work honestly and selflessly! Hace una hora, he terminado la partitura de dos partes de una composición sinfónica de gran tamaño. De tener éxito en escribir bien esta composición, de tener éxito en completar las partes tercera y cuarta, entonces se hará posible llamar a esta composición la sinfonía sétima. ¿Por qué les anuncio esto? Para que los radioescuchas que me están escuchando ahora sepan que la vida en nuestra ciudad prosigue como de costumbre. Todos estamos ahora haciendo nuestro deber militar. ¡Músicos soviéticos, queridos amigos y numerosos hermanos de armas míos, mis amigos! Recuerden que nuestro arte está en gran peligro ahora. ¡Defendamos nuestra música, trabajemos honesta y desinteresadamente! Час тому назад я закончил партитуру двух частей большого симфонического сочинения. Если это сочинение мне удасться написать хорошо, удасться закончить третью и четвертую части, то тогда можно будет назвать это сочинение Седьмой симфонией. Для чего я сообщаю об этом? Для того, чтобы радиослушатели, которые слушают меня сейчас, знали, что жизнь нашего города идет нормально. Все мы несем сейчас свою боевую вахту. Советские музыканты, мои дорогие и многочисленные соратники по оружию, мои друзья! Помните, что сейчас нашему искусству грозит великая опасность. Будем же защищать нашу музыку, будем же честно и самоотверженно работать.

This is the audible annunciation found at all intersections with traffic lights in paris, france. It announces the condition of the traffic lights for pedestrians who are blind or with impaired vision. The annunciation is turned on by pressing a button on the traffic light pole. When the crosswalk sign is red (do not cross), the recorded annunciation is always "rouge piéton" ("red light, pedestrian"), followed by the name of the street that the crosswalk crosses (in this case "rue d'antin," the quiet side street where i recorded this). This repeats over and over until the crosswalk changes to green, at which point there is a two-second trill tone followed by a repeating bell tone. The bell tone is one bell, followed by two bells, repeated four times, followed by a very brief pause, and then the sequence is repeated again. This continues until the crosswalk changes back to red, at which point the "rouge piéton" message resumes. The annunciation continues for at least one cycle of the traffic lights and then stops, unless the button is pressed again. The audio quality of the annunciation is very poor even in real life (it sounds like a wax cylinder recording or something), and can be difficult to understand. This recording accurately captures the poor quality of the annunciation. The volume of the annunciation is also adjusted dynamically based on ambient noise, so there is a slight change in volume on this recording as the system apparently reacts to noise from traffic or something. There is a weak background noise that sounds like some sort of machine, but it wasn't coming from the traffic light and i don't know the source. The recording starts with the crosswalk red, then at about 18. 3 seconds it changes to green, then it changes back to red at about 53 seconds. A car passes at around 48 seconds. Recorded with a zoom h4n, stereo 96 khz / 24 bits, built-in mics, from about ten inches below the tiny speaker in the crosswalk sign housing.

So you liked surprising her. Here's what it feels like, dude bahahaalso, what it sounds like. A first foray into educational response, the subject slowly awakened in handcuffs, barely aware he was rapidly losing his shorts. Totally unsympathetic cohorts then lashed ankles quickly to both ends of a broomstick. Free to do as they please, unplanned things can happen, and did. Oh, dear. 😯 well he was completely vulnerable. You mean. . . Yeah. They did. 😼 at that point i think he was awake. His victim had selected the broadest and longest, high-output motorized appliance to be found, complete with bulging veins. . . Eventually, at her hands and from her “deep” feminine resolve and with considerable force, the nautilus made port. Ta-daa!! lubricant sure wasn’t needed anymore but had spent the night in the fridge. So she used it😬 end published audio, but not the still-expanding asshole, um, event. Take-away: if you cannot be respectful, at least be careful where you sleep. In fact just a bit later, the enhanced vibrators and integral power-stroking were switched on. Gracious. He didn’t know it had an “on” 🙀 and just about went wild. A lovely, cohort-induced stiffy relaxed and then, any semblance of bladder control did too - oh, oh my 😸 😹then we left.

Calm ambient track. Winter woods / pinewood february 12. 41 pm (noon) in the netherlands near village giersbergen. Bram’s admin request-text and my answer in audio. Hello freesounders,it happens very infrequently that i post requests. However, i have an extraordinary sad reason to do so today. I don't want to go into detail in this public forum, but someone incredibly important and incredibly young in my life and my wife's just passed away. I am thus looking for an extra long recording of a peaceful "forrest ambience" to play during the good-bye ceremony. Something with some birds and perhaps some wind through the leaves,. . . . Currently the ceremony is planned for april 6th so i would need this before then. I know i can look through freesound, but i would like something specifically recorded with this in mind, something we will be able to listen to later as well, remembering this important and sad time in our life. . . Yours in grief,- bram & familywhat you hear;general-noise; soft wind in woods, sometime a bit increasing. A far kid at the edge of hamlet giersbergen. Far hum of the woods. Remark that the far high altitude planes are on a very lo noise level. Off and on craws and woodpeckers. 00. 00-02. 18 clean background-sound02. 18-06. 57 far high altitude plane- 04. 08-05. 42 people passing06. 05- 08. 13 clean background-sound- 07. 15-08. 12 woodpecker08. 16-10. 33 far high altitude plane10. 33-11. 44 clean background-sound- 10. 44-11. 32 (far) woodpeckers11. 33-12. 53 far police serine12. 55-14. 11 clean with some far yelling kids and woodpeckers14. 15-16. 14 far high altitude plane16. 14-26. 11 clean background-sound with some friendly increasing wind gusts- 23. 06-23. 56 woodpeckers- 25. 53-26. 08 woodpecker26. 08-end far high altitude plane and people. More recordings here search: giersbergen. About the area, national park loonse en drunense duinen. (text by irma de potter,ranger of this area) dutch website: https://www. Natuurmonumenten. Nl/natuurgebieden/nationaal-park-loonse-en-drunense-duinen. In the loonse en drunense duinen you will find forest, heathland and especially a lot of sand. It is one of the largest shifting sand areas in western europe. The wind can blow undisturbed in many places, resulting in an ever-changing landscape. By purchasing it in 1921, it has been protected for 100 years and we can still enjoy this brabant sahara today. You can roam freely on the sand plain. So there is plenty of room to explore extensively. Marvel at the submerged trees, enjoy the chirping field crickets and quench your thirst at one of the many cafes or restaurants on the edge of this nature reserve. Walking, cycling or on horseback: it's all possible here. With the wind in your hair and the sand in your shoes. You may even come across the sheep herd. The sheep keep the heath short and eat away saplings. This is how they keep the area open. The loonse en drunense duinen still has 270 hectares of shifting sand. That sand creates rather extreme conditions: the soil is dry and nutrient-poor. The difference in temperature between day and night can be as much as 50 degrees celsius. This ensures a unique flora and fauna. The animals and plants have adapted or feel at home in drought, aridity and temperature fluctuations. Sand sedge and various lichens, for example. And the viviparous lizard, sandpit beetles and sand bees. All species that love sand. In the last ice age, the polar winds blew sand from the north to brabant, where it remained in thick packages. For a long time this sandy plain was covered with primeval forests. Until the fourteenth century the trees were felled by people. They used the wood as fuel. The bare plain was filled with heather, where the farmers grazed their cattle. This intensive grazing and the sod cutting of the soil depleted the soil. This gave the sand free play. For a long time, the sand was a major problem for the residents. Villages and fields threatened to disappear under it. Trees were planted to stop the advancing sand. You can still see the traces of this today: find the submerged trees that only peak above the sand hills with their crowns. Date/time: february 15th tuesday 2017, start 12. 44 pm. Weather: 13c, clear sky, wind se 2-3bft , 1023 hpa. Mic pointed ne. Location; soft-wood-forest giersbergen (drunen), national park “loonse en drunense duinen”, drunen, noord-brabant, netherlands (holland), europe geo 51. 65566 5. 15774. Gear chain: sennheiser mkh30/50 ms, in rycote cyclone small, windjammer > sound devices 302 >tascam dr-100 mk2. Low cut 140hz 6db/octave. Level around -33db for background. Decoded mid-side to stereo.

So one of tac0's friends came by with a civilian style contact stun gun and tac0 does what he does best, blasts it a small room for 1/10 of a second. Mp3 48,000 hz at 256 kbps. Also commonly and incorrectly referred to as a "taser" which is on the same level as calling a magazine a "clip". See google for more info. I can't help that it sounds like a bee. Also if it's too short, you'll have to make it longer in your daw. Uses (apart from videos that involve a stun gun or maybe a real taser brand taser): magic lighting zaps? a game show buzzer?. Possible vst modifications. Reverb: sound impulses for speakers. Distortion (guitar style): military style radio noise. Chorus/flange: science sounding things. Pitch: at -30 semitones you get some low pitched sound similar to a airsoft aeg which may be ideal for montage airsoft videos where piles of tokyo marui m4s traditionally muffled by the gopro waterproof case. // at -45 semitones you resemble gun fire at a distance. Mathematically at 10 rps (600 rpm) you could use this as a sit in for a distant fired ak-47 rifle ideal for video games, war movies, mods, etc. Apply a resonant filter and some reverb for appropriate outdoor acoustics. And nobody will know your distant machine gun sound was a civilian stun gun except for us semi colon right parenthesis. Or you could also apply ringmod at ~9000 hz to simulate ear ringing for those ptsd scenes. Trimming + looping + pitch: if you can loop this properly in a daw you could even create a saw style bass for electronic dance music.

This is an updated (improved is debatable) version of my previous electric contact stun gun firing sound, except longer and without peaking. Oh and higher sampling rate so you can hear all the higher frequencies better when you pitch it down. You'll immediately notice it sounds like the boring buzz of a bee. Oh well, not like you'll get a lightning storm. That's about it. Don't forget to have fun. Copy pasta---also commonly and incorrectly referred to as a "taser" which is on the same level as calling a magazine a "clip". See google for more info. I can't help that it sounds like a bee. Also if it's too short, you'll have to make it longer in your daw. Uses (apart from videos that involve a stun gun or maybe a real taser brand taser): magic lighting zaps? a game show buzzer?. Possible vst modifications. Reverb: sound impulses for speakers. Distortion (guitar style): military style radio noise. Chorus/flange: science sounding things. Pitch: at -30 semitones you get some low pitched sound similar to a airsoft aeg which may be ideal for montage airsoft videos where piles of tokyo marui m4s traditionally muffled by the gopro waterproof case. // at -45 semitones you resemble gun fire at a distance. Mathematically at 10 rps (600 rpm) you could use this as a sit in for a distant fired ak-47 rifle ideal for video games, war movies, mods, etc. Apply a resonant filter and some reverb for appropriate outdoor acoustics. And nobody will know your distant machine gun sound was a civilian stun gun except for us semi colon right parenthesis. Or you could also apply ringmod at ~9000 hz to simulate ear ringing for those ptsd scenes. Or some gau-8 avenger. Trimming + looping + pitch: if you can loop this properly in a daw you could even create a saw style bass for electronic dance music.